Author Archives: Erica

A song gave a young Irishman a new trajectory

With April 2016 marking the 100-year anniversary of The Rising on Easter Monday in Dublin, the final and successful rising in a long string of risings from the early 1600’s, my thoughts go to a special song written in 1843.

As a teenager in Ireland in the 1840’s, my great-great-grandfather, Thomas Joseph Kelly, was to become a priest. His eldest brother, Patrick, was in line to inherit the family interests, thus Thomas was sent to St. Jarlath’s College in Tuam, County Galway, a school that also prepped students on their path to being ordained.

While at school, Kelly was heavily influenced by one of his teachers, Michael Joseph McCann, author of the song O’Donnel Abu. The song is about Rudhraighe Ó Domhnaill (anglicized to Rory O’Donnell, B.1575—D.1608), the first Earl of Tyrconnell, an Irish chieftain who rebelled against the English when he saw his beautiful and beloved homeland being reduced to desert and famine. Rudhraighe (Rory) died in exile. Since its writing,O’Donnel Abu became the Irish freedom anthem both in Ireland and with the Irish diaspora around the world.

Thursday of last week, at the armory of the famous Fighting 69th, I was blessed to hear O’Donnel Abu as sung by Liam Murphy, an Irish-American New York City historian, retired U.S. Navy officer, and honorary member of the 69th NY Regiment. As Liam is also fluent in Irish, I hope one day soon to hear him sing Ó Domhnaill Abu with musical accompaniment.

The significance of this song to my family history is that Michael McCann’s influence on my great-great-grandfather meant his life’s work shifted from being a man of the cloth to becoming an Irish nationalist — later to become acting Head Center of the Fenian Brotherhood in New York City, and Chief Organizer of the Irish Republic (C.O.I.R.) of the Irish Republican Brotherhood (IRB) in Ireland.

The significance of the 69th NY Regiment to Colonel Kelly’s history is that as a young immigrant in New York City in the 1850’s, he was attached to the 9th NY Regiment, later amalgamated into the 69th.

The significance of Liam Murphy to my personal story is that he is one of the three historians hired to find Colonel Kelly’s living descendants, so as to be present at the 2008 dedication of his new gravestone at The Woodlawn Cemetery in the Bronx. As none of the Colonel’s direct descendants bear the Kelly surname, the trail was lost from the pure historical approach.

Direct descendants were not present in 2008. But I did see photos posted online not long after that, and thought, “Who the hell are these people posing at my great-great-grandfather’s grave. And why the hell was I not there.”

Then, just over a year ago, on the Saturday before St Patrick’s Day 2015, Liam received a call from me, the first contact by a direct descendant. Liam warned me he was extremely busy with  planning of mass at St. Patrick’s Cathedral, and that he could not talk long. We hung up finally one hour later. Gotta love the Irish craic.

At the 2015 annual Easter Rising commemoration at The Woodlawn Cemetery, for the first time in history, descendants of Colonel Thomas J Kelly (me) and Captain Timothy Deasy (Colonel Robert J. Batemen, U.S. Army, retired) met for the first time since the historical events of 1867 in Manchester, England. Susan Olsen, the Woodlawn historian said, “Where the hell have you been? We were looking for you!

This year, I sat in St. Patrick’s Cathedral, watched the Fighting 69th parade past the front steps, and later, witnessed the Changing of Command ceremony at the armory. Gotta love bagpipes!

The significance of O’Donnel Abu

http://www.libraryireland.com/social-history/popular-rhymes/war-cries-irish-septs.php

Leave it to the English and Walt Disney to make a travesty of the song, and of the image and pride of the Irish

Published on Dec 8, 2015 — https://youtu.be/-c3lqpRxqw4

“A travesty of a movie, but with some strong performances and likable characters. By the way, that fellow at 1:07 who looks like Richard III and is leering drunkenly at the serving wench and engaging in a brawl is supposed to be noble Earl Hugh O’Neill.” Michael Pauw

Lyrics to O’Donnel Abu

Listen along with The Clancy Brothers — https://youtu.be/3h78Nv4LoN4

     Proudly the note of the trumpet is sounding
     Loudly the war cries arise on the Gael
     Fleetly the steed by Lough Swilly is bounding
     To join the thick squadrons on Saimer’s green vale
     On every mountaineer, strangers to flight or fear
     Rush to the standard of dauntless Red Hugh
     Bonnaught and Gallowglass, throng from each mountain
     Pass onward for Erin O’Donnell Abu
 
     Princely O’Neill to our aid is advancing
     With many a chieftain and warrior clan
     A thousand proud steeds in his vanguard are prancing
     ‘Neath the borders brave from the Banks of the Bann
     Many a heart shall quail under its coat of mail
     Deeply the merciless foeman shall rue
     When on his ears shall ring bourne on the breeze’s wing
     Tir Connail’s dread war cry, O’Donnell Abu
 
     Wildly o’er Desmond the war wolf is howling
     Fearless the eagle sweeps over the plain
     The fox in the streets of the city is prowling
     And all who would scare them are banished or slain
     On with O’Donnell then, fight the old fight again
     Sons of Tir Connail are valiant and true
     Make the proud Saxon feel Erin’s avenging steel
     Strike for your country O’Donnell Abu
 
Colonel Thomas J. Kelly, C.O.I.R.

Colonel Thomas J. Kelly, C.O.I.R.

In January 2016, I returned home to Troy, New York after seven-and-a-half months of overseas research with plenty of fodder for a full biography of my great-great-grandfather, Colonel Thomas J.

Kelly — he was one of The Bold Fenian Men, and Chief Organizer of the Irish Republic (C.O.I.R.) in the 1860’s, after James Stephens.

Back in January 2015, I envisioned this to be only a biography project, requiring just a few weeks of research to obtain primary source documents for what I perceived as the last missing bits of his story, and then straight on to the writing bit. however, in just one year, it has mushroomed to what may be an open-ended project, especially if I continue to work solo.

I’ve since stopped aggressively researching and have instead begun processing and sifting through the copious amounts of data obtained from physical and virtual archives and libraries on two continents and in many countries.

Follow me as I unfold the story about how such a great Irish hero became almost lost to history.

Pictorial Websters project

How beautiful books were made before the advent of mass production.

This young man was very fortunate and blessed to have been given the opportunity to work with the original plates that made the Pictorial Websters. So glad these were not lost to time, and there was someone who knew what to do with them.

http://ericaveil.tumblr.com/post/50423686187/how-beautiful-books-were-made-in-the-19th-century

 

Influences and Collaborations: Mary Wheeler’s Solo/Group Show

April 19 to July 1, 2013

ART! at 200 First Street in Troy NY is proud to announce Influences and Collaborations: jewelry artist Mary Wheeler’s solo/group show.

2013-04-19 15.51.56

Collaged on the walls of Art! gallery, each of the artists’ work are blended with Mary Wheeler’s jewelry.

Mary Wheeler has asked 10 amazing artists who have influenced her work and life to be in her show: Bill Skerritt, Elissa Halloran, Wren Panzella, Mary LaFleur, Natalie Boburka, Erica Veil, Sarah Roberts, Deb Jackson, Mike Beiter, and Joan Burke. This is Mary’s homage to them, and all artists and their art.

Come meet the artists and pick up never before seen art and the jewelry Mary Wheeler has created based on their work. Also included in this show are original pieces by each artist as they were influenced by Mary’s jewelry. A very interesting show!

OPENING RECEPTIONS on Friday April 19, and
for Troy Night Out on Friday April 26, 5:00-9:00PM

metal arts, Erica Veil, owl

Wall sculpture by Erica Veil, 13″x13″, copper, brass, nickel silver, fabric mesh

 

Mary Wheeler, Erica Veil, jewelry, pendant, metal arts, owl, Passion for the Hunt

Pendant by Mary Wheeler, sterling silver, brass, on gold chain

Mary Wheeler, Erica Veil, jewelry, pendant, metal arts, owl, Passion for the Hunt

Pendants by Mary Wheeler, sterling silver, brass, with sterling silver or gold chains

 

Erica Veil invited to collaborate on new show.

Mary Wheeler, jewelry artist and proprietor of Art! Gallery, has invited 10 influential artists to collaborate with her for what she is calling a Solo/Group show.

Influences & Collaborations will open on Friday, April 19, and will remain hung until July 1.

The Artists reception will be on Friday April 26, 5:00-9:00PM.

Art! Gallery’s hours of operation are:
Wednesday, Thursday: 10:00AM to 5:00PM
Friday: Noon to 8:00PM
Saturday, Sunday: 10:00AM to 3:00PM
200 First Street in Troy NY

Here’s a sneak peak of works in progress, influenced by elements of my print series Passion for the Hunt.

Necklaces_byMaryWheeler  OwlPendant_byMaryWheeler  OwlPendant-a

 

P A S S I O N : : The works of Erica Veil, Solo Exhibition

January – February 2013

The Chapel + Cultural Center, at the Rensselaer Polytechnic Institute in Troy NY, is proud to present a solo exhibition of P A S S I O N : : The works of Erica Veil.

PoemsSeries

Please join us for the artist’s reception on Thursday, January 10 2013, 6:00-9:00PM.

P R I N T S ::

The Carborundum Aquatint printmaking process, invented in the US in the 1930’s, uses the fine graded carborundum grit that was originally used by printmakers to grind down lithography stones. Mixed in an acrylic medium, varying grits are applied to the plate.

The Engraved plates were made by hand using an electric engraver, using as inspiration two antique Eastern European wood blocks originPhoto Jan 09, 14 51 21ally used for fabric printing.

In the Silk Collograph printmaking process, each plate is covered in a special “silk” fabric. Then acrylic medium is painted onto the silk. Where there is no acrylic medium, the silk holds more ink.

Each plate is then inked fully with oil paint and wiped clean to leave just the right amount of oil paint to make the desired image. Each of the original prints in this show is made with from one to five individual plates.

The Block Prints and Greeting Cards were made with carved rubber blocks.

 

B O O K S ::

The craft of bookbinding probably originated in India, as a more locally sustainable approach to scrolls, since scrolls made all dependent on Egypt for papyrus.

Buddhist monks took the new idea of the book through Persia, Afghanistan, and Iran, to China in the first century BC.

Erica Veil’s sampling of handmade books begins with the Coptic binding, which is from the Copts (early Christians in Egypt), a bookbinding method that was in use as early as the 2nd century AD.

2013-02-18 15.29.13From the 14th century, we have one example of a Limp Vellum binding, bound with specialty handmade Cave Paper.

There are examples of several variations on the Historic Long-stitch binding in the show. This type of binding is from as early as the 18th century in Europe, possibly earlier elsewhere.

A Bradel binding is a more modern style with a hollow back and visible joint groove. It most resembles a Case binding, both traced to 18th century Germany. Extra steps have been taken to round the backs of the text blocks of these books, adding much strength and stability to the books. These bindings are the most recent hand binding styles leading up to cheap modern-day machine binding.

The Clamshell Boxes for the limited edition of 12 books of Poems are custom handmade using archival materials.

One can expect any book made with traditional hand bookbinding techniques and archival materials to last centuries, if appropriately stored on a bookshelf.